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・ Jerry Evans
・ Jerry F. Hough
・ Jerry Fahr
・ Jerry Fairbanks
・ Jerry Falwell
・ Jerry Falwell, Jr.
・ Jerry Farber
・ Jerry Farnsworth
・ Jerry Ferrara
・ Jerry Fielding
・ Jerry Finkelstein
・ Jerry Finn
・ Jerry Finnell
・ Jerry Fish & The Mudbug Club
・ Jerry Fishenden
Jerry Fisher
・ Jerry Fishman
・ Jerry Fisk
・ Jerry Flannery
・ Jerry Fleck
・ Jerry Fleishman
・ Jerry Flint
・ Jerry Flora
・ Jerry Flynn
・ Jerry Fodor
・ Jerry Foley
・ Jerry Foltz
・ Jerry Fontaine
・ Jerry Fontenot
・ Jerry Forton


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Jerry Fisher : ウィキペディア英語版
Jerry Fisher
Jerry Donald Fisher (born 1 March 1942 DeKalb, Texas) is an American R&B singer – Texas-born and Oklahoma-reared – known internationally for being the lead vocal with Blood, Sweat & Tears from 1971 to 1975, known to Dallas music fans for his R&B gigs from 1964 to 1972, and known on the coast of Mississippi in Bay Saint Louis as one-half of the husband–wife proprietorship of "Dock of the Bay," a restaurant and nightclub owned and operated by the two from 1976 to the spring of 2005, when they sold it a few months before Hurricane Katrina blew it away.
== Pre-BS&T groups==
1964–1970: "Jerry Fisher and the Night Beats"
: Beginning around 1964, Jerry Fisher formed "Jerry Fisher and the Nightbeats," a R&B band that performed in popular nightspots around Dallas, such as The Music Box on Cedar Springs, Club Village, Gringos on Oak Lawn,〔Francis Paul Raffetto (1915–2002), ''Nightbeats to Open in the Music Box,'' The Dallas Morning News, August 18, 1967〕 and the Loser's Club on Mockingbird. The band also performed nightclub circuits in Las Vegas (Caesars Palace & the Thunderbird), Lake Tahoe (Harveys), and Oklahoma.
1970–1971: The Jerry Fisher Group, "Cherokee"
: In 1970, Fisher formed a group composed of members of the North Texas Lab Bands. This 10 piece group opened at the Dunes on Ross ave. In Dallas. Fisher had been performing at Sammy Ventura's, "Gringo's〔Sammy David Ventura (1907–1997)〕 Club Village when a pre-Christmas fire (1970) forced the club to close temporarily close, ending the gig. Fisher, who had been wanting to have his own club, was able to obtained the lease of Nero's Nook located at 3118 Oak Lawn. Fisher restored it, named it "Fisher's, and opened it January 8, 1971."〔Phillip S. Wuntch (born 1945), ''Dallas After Dark: At Nero's'', The Dallas Morning News, January 8, 1971〕 In the early 1970s, Fisher approached Earl Lon Price (born 1946), a saxophonist studying at North Texas, about being the musical director of a new band he was putting together in Dallas. Price agreed and recruited the players, mostly from North Texas, which included Steve Turré, who played not trombone, but bass. The band's instrumentation was: guitar (Kenneth Ray "Catfish" Renfro; 1948–1976), keyboards, bass, drums (Wilford Dahrell Norris, born 1946), and four horns (trumpet, two tenor saxes and trombone), and Fisher. Price arranged most of the music and wrote two songs for Fisher. The group worked mostly in the Dallas area with occasional trips to Oklahoma (Fisher's home state), and a month in Lake Tahoe. While we were in Tahoe, Jerry and Price flew to Los Angeles to play their demo for composer and producer Mike Post, whom Fisher had met earlier. After hearing the demo, Post said that the group sounded too much like Blood, Sweat and Tears. Price disagreed, but Post said that audiences wouldn't understand the subtleties that he was talking about. Post said that they'd hear a band with a lot of horns and a white singer who sounded like Ray Charles and they'd think "Blood, Sweat and Tears." Price then grew discouraged about the band ever making it big, despite the fact that the band had a permanent gig at Jerry's in Dallas. Price also harbored artistic differences with the drummer, which led to Fisher firing the only two horn players left – Price and Fletch Wiley (trumpet), adding a female vocalist, and keeping the drummer who, one month later, joined Sonny & Cher.〔(Earl Lon Price (born 1946), ''Memoirs of a Working Musician – Part Two: The Middle Years'', ELON Music (2005) )〕
1971–1972: Recording in New York
: When BS&T decided to replace David Clayton Thomas, Bobby Doyle went to New York and spent a few weeks playing and recording with the band. For one reason or the other, things didn't work out with Bobby, and Fisher was chosen as the new singer. Two of the tracks with Doyle on keyboards were recorded by Fisher at Colombia studios, and are on the ''New Blood'' album. Fisher, at the time, had a great blues band and was playing at his place in Oklahoma City. He was also recording singles with New Design, a subsidiary of Columbia Records, BS&T’s label.〔(''Blood, Sweat and Tears'' at www.classicbands.com )〕

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